<?xml version="1.0" encoding="utf-8"?><?xml-stylesheet type='text/xsl' href='http://anatolant.spaces.live.com/mmm2008-05-08_20.17/rsspretty.aspx?rssquery=en-US;http%3a%2f%2fanatolant.spaces.live.com%2fcategory%2ftheory%2ffeed.rss' version='1.0'?><rss version="2.0" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:msn="http://schemas.microsoft.com/msn/spaces/2005/rss" xmlns:live="http://schemas.microsoft.com/live/spaces/2006/rss" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:cf="http://www.microsoft.com/schemas/rss/core/2005" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Web-Theatre : director: theory</title><description /><link>http://anatolant.spaces.live.com/?_c11_BlogPart_BlogPart=blogview&amp;_c=BlogPart&amp;partqs=cattheory</link><language>en-US</language><pubDate>Thu, 15 May 2008 01:29:52 GMT</pubDate><lastBuildDate>Thu, 15 May 2008 01:29:52 GMT</lastBuildDate><generator>Microsoft Spaces v1.1</generator><docs>http://www.rssboard.org/rss-specification</docs><ttl>60</ttl><cf:parentRSS>http://anatolant.spaces.live.com/blog/feed.rss</cf:parentRSS><live:type>blogcategory</live:type><live:identity><live:id>4017445372636881526</live:id><live:alias>anatolant</live:alias></live:identity><cf:listinfo><cf:group ns="http://schemas.microsoft.com/live/spaces/2006/rss" element="typelabel" label="Type" /><cf:group ns="http://schemas.microsoft.com/live/spaces/2006/rss" element="tag" label="Tag" /><cf:group element="category" label="Category" /><cf:sort element="pubDate" label="Date" data-type="date" default="true" /><cf:sort element="title" label="Title" data-type="string" /><cf:sort ns="http://purl.org/rss/1.0/modules/slash/" element="comments" label="Comments" data-type="number" /></cf:listinfo><item><title>After Stoppard</title><link>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!416.entry</link><description>&lt;div&gt;
&lt;p&gt;&lt;i&gt;Page &amp;amp; Stage&lt;/i&gt; [&lt;a href="http://script.vtheatre.net/pmdrama.html"&gt;postmodern&lt;/a&gt;] -- &amp;quot;play-writer&amp;quot; [not playwright] 
&lt;p align=center&gt;&lt;b&gt;Stoppard -- R/G pages&lt;/b&gt;: 
&lt;p&gt;1. &lt;a href="http://pomo.vtheatre.net/RG.html"&gt;pomo.vtheatre.net/RG&lt;/a&gt; 
&lt;p&gt;2. &lt;a href="http://pomo.vtheatre.net/stoppard.html.stoppard.html"&gt;pomo.vtheatre.net/stoppard&lt;/a&gt; 
&lt;p&gt;3. &lt;a&gt;shows.vtheatre.net.stoppard&lt;/a&gt; &lt;a href="http://www.uaf.edu/theatre"&gt;Theatre UAF&lt;/a&gt; main stage 2008 
&lt;p&gt;4. &lt;a href="http://script.vtheatre.net/stoppard.html"&gt;script.vtheatre.net/stoppard&lt;/a&gt; [script analysis] 
&lt;p&gt;5. &lt;a href="http://afronord.tripod.com/thr/stoppard.html"&gt;filmplus.org/thr/stoppard&lt;/a&gt; 
&lt;p&gt;6. &lt;a href="http://afronord.tripod.com/plays/R-G.html"&gt;filmplus.org/plays/R-G.html&lt;/a&gt; [text] 
&lt;p&gt;7. &lt;a href="http://afronord.tripod.com/thr/stoppard.html"&gt;filmplus.org/plays/stoppard&lt;/a&gt; [ru] 
&lt;p&gt;&lt;tt&gt;* &lt;a href="http://shows.vtheatre.net/hamlet/webshow/0.html"&gt;webshow&lt;/a&gt; pages * [director's notebook]&lt;/tt&gt; 
&lt;p align=right&gt;... and how to read &amp;quot;Stoppard Case&amp;quot;? 
&lt;p&gt;in &lt;a href="http://filmplus.org/2008.html"&gt;http://filmplus.org/2008.html&lt;/a&gt; [ theatre page ] : my another attempt to have onoline &amp;quot;show case&amp;quot; [ and Stoppard is a better case to study postmodern than Mamet's &lt;a href="http://pomo.vtheatre.net/oleanna.html" target="_blank"&gt;Oleanna&lt;/a&gt; ]. 
&lt;p&gt;Beckett was &amp;quot; last modernist&amp;quot; (Kronin). 
&lt;p&gt;40 years (half a century) of postmodernism, no wonder that theatre is dead (Beckett : &amp;quot;end of the play and theatre&amp;quot;). 
&lt;p&gt;I am too old to protest. 
&lt;p&gt;AA. 
&lt;p&gt;Cao and Goodbye? &lt;/div&gt;&lt;img src="http://c.services.spaces.live.com/CollectionWebService/c.gif?cid=4017445372636881526&amp;page=RSS%3a+After+Stoppard&amp;referrer=" width="1px" height="1px" border="0" alt=""&gt;&lt;img style="position:absolute" alt="" width="0px" height="0px" src="http://c.live.com/c.gif?NC=31263&amp;amp;NA=1149&amp;amp;PI=73329&amp;amp;RF=&amp;amp;DI=3919&amp;amp;PS=85545&amp;amp;TP=anatolant.spaces.live.com&amp;amp;GT1=anatolant"&gt;</description><comments>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!416.entry#comment</comments><guid isPermaLink="true">http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!416.entry</guid><pubDate>Tue, 29 Apr 2008 20:42:48 GMT</pubDate><slash:comments>0</slash:comments><msn:type>blogentry</msn:type><live:type>blogentry</live:type><live:typelabel>Blog entry</live:typelabel><wfw:commentRss>http://anatolant.spaces.live.com/blog/cns!37C0D547F48EE276!416/comments/feed.rss</wfw:commentRss><wfw:comment>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!416.entry#comment</wfw:comment><dcterms:modified>2008-04-29T20:58:51Z</dcterms:modified></item><item><title>Film Poetry and "The End of Theatre"</title><link>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!197.entry</link><description>&lt;p&gt;&amp;quot;The End&amp;quot; and &amp;quot;The of Theatre&amp;quot;, wrote Beckett in 1950s. &lt;a href="http://byfiles.storage.msn.com/y1pi35004QBJY7_rqVeZq0IljUbzIq8Hy4EIuGYFQBiy9qXrnU9BFJSb9mOO8gqNu2aTUOaijX71zw"&gt;&lt;img height=67 alt=noimage-profile src="http://byfiles.storage.msn.com/y1pi35004QBJY6TlpKW4mrtTXMX-37emi34xkV5N7OTYWQTYmi8kBzArNRrB_J8VgVGt7zhsBsZIBs" width=57&gt;&lt;/a&gt;  &lt;p&gt;The picture (right) is the portrait of a spectator. Theatre public is live? But unknown. &lt;p&gt;What about film &amp;quot;audience&amp;quot;? It's virtual, projected.  &lt;p&gt;What is indeed we use the screen as magic mirror -- and show the invisible : &amp;quot;stream of conscience&amp;quot;? &lt;p&gt;That's how &amp;quot;Wild Strawberries&amp;quot; begin (almost, I would cut out everything before the first Dr. Berg's dream -- and would start straight from &amp;quot;inside&amp;quot;).  &lt;p&gt; &lt;p&gt;&amp;quot;Hidden Theatricality&amp;quot; is in technology (recording, projecting and etc.) -- film is extremely &amp;quot;artificial&amp;quot; and THEATRE is &lt;em&gt;natural&lt;/em&gt; by comparison.&lt;em&gt; &lt;/em&gt; &lt;p&gt;As a theatre spectator my imagination remains private, contradicting new Millennium communistic order. [ &lt;a href="http://filmplus.org/vtheatre"&gt;http://filmplus.org/vtheatre&lt;/a&gt; ]  &lt;p&gt;I will try to finish this thought on &lt;strong&gt;Bergman Pages&lt;/strong&gt; :  &lt;p&gt;&lt;a href="http://afronord.tripod.com/bergaman.html"&gt;http://afronord.tripod.com/bergaman.html&lt;/a&gt; - 1. Philosophy &lt;p&gt;&lt;a href="http://film.vtheatre.net/bergman.html"&gt;http://film.vtheatre.net/bergman.html&lt;/a&gt; - 2. Artist  &lt;p&gt;&lt;a href="http://director.vtheatre.net/bergman.html"&gt;http://director.vtheatre.net/bergman.html&lt;/a&gt; - 3. Master &lt;p&gt;1-2-3 : &lt;u&gt;tree act/chapter&lt;/u&gt; structure I will keep for all (including theatre directors). &lt;p&gt; &lt;div style="padding-right:0px;display:inline;padding-left:0px;float:none;padding-bottom:0px;margin:0px;padding-top:0px"&gt;Technorati Tags: &lt;a href="http://technorati.com/tags/directing" rel=tag&gt;directing&lt;/a&gt;, &lt;a href="http://technorati.com/tags/film" rel=tag&gt;film&lt;/a&gt;, &lt;a href="http://technorati.com/tags/theatre" rel=tag&gt;theatre&lt;/a&gt;, &lt;a href="http://technorati.com/tags/bergman" rel=tag&gt;bergman&lt;/a&gt;, &lt;a href="http://technorati.com/tags/philosophy" rel=tag&gt;philosophy&lt;/a&gt;, &lt;a href="http://technorati.com/tags/poetry cinema" rel=tag&gt;poetry cinema&lt;/a&gt;, &lt;a href="http://technorati.com/tags/notes" rel=tag&gt;notes&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;a href="http://byfiles.storage.msn.com/y1pi35004QBJY5DKUUuFKwZEvY5yNZb4Jl-1EmgR4CHtnCY4SGWJ_RZBJN26Jby3NIH7tq99wMycIE"&gt;&lt;img style="border-right:0px;border-top:0px;border-left:0px;border-bottom:0px" height=240 alt="bergman_chair" src="http://byfiles.storage.msn.com/y1pi35004QBJY6tRI0RND7MQ3tJaAL8NHxzoZb6iWM-SsHLP8l6f530iTtMb-v0jLQyxeKXj9DpwhQ" width=162 border=0&gt;&lt;/a&gt; use &lt;a href="http://docs.google.com"&gt;http://docs.google.com&lt;/a&gt; to work on notes. &lt;p&gt;[ better ways to update notes? ]&lt;img src="http://c.services.spaces.live.com/CollectionWebService/c.gif?cid=4017445372636881526&amp;page=RSS%3a+Film+Poetry+and+%22The+End+of+Theatre%22&amp;referrer=" width="1px" height="1px" border="0" alt=""&gt;&lt;img style="position:absolute" alt="" width="0px" height="0px" src="http://c.live.com/c.gif?NC=31263&amp;amp;NA=1149&amp;amp;PI=73329&amp;amp;RF=&amp;amp;DI=3919&amp;amp;PS=85545&amp;amp;TP=anatolant.spaces.live.com&amp;amp;GT1=anatolant"&gt;</description><comments>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!197.entry#comment</comments><guid isPermaLink="true">http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!197.entry</guid><pubDate>Thu, 09 Aug 2007 01:26:02 GMT</pubDate><slash:comments>0</slash:comments><msn:type>blogentry</msn:type><live:type>blogentry</live:type><live:typelabel>Blog entry</live:typelabel><wfw:commentRss>http://anatolant.spaces.live.com/blog/cns!37C0D547F48EE276!197/comments/feed.rss</wfw:commentRss><wfw:comment>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!197.entry#comment</wfw:comment><dcterms:modified>2007-08-09T02:21:34Z</dcterms:modified></item><item><title>Stage Semio</title><link>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!174.entry</link><description>&lt;div&gt; 
&lt;p&gt;Theatre Semiotics? &lt;a href="http://filmplus.org/thr/semio.html"&gt;http://filmplus.org/thr/semio.html&lt;/a&gt;
&lt;p&gt; * a new page about postmodern in theatre -- &lt;a href="http://afronord.tripod.com/thr/pomo.html"&gt;http://afronord.tripod.com/thr/pomo.html&lt;/a&gt;
&lt;p&gt;connect to &lt;a href="http://pomo.vtheatre.net/0.html"&gt;&lt;strong&gt;&lt;font color="#ff00ff" size=4&gt;pomo.vtheatre.net&lt;/font&gt;&lt;/strong&gt;&lt;/a&gt;
&lt;p&gt;[ must work on &lt;font size=6&gt;&lt;a href="http://afronord.tripod.com/spectator/0.html"&gt;Book of Spectator&lt;/a&gt;&lt;/font&gt; -- will I have the time in the Fall, while teaching &lt;a href="http://script.vtheatre.net/215/0.html"&gt;&lt;font color="#99cc00"&gt;thr215 Dramatic Literature&lt;/font&gt;&lt;/a&gt;&lt;font color="#99cc00"&gt;?&lt;/font&gt; ] 
&lt;p&gt; &lt;/div&gt;&lt;img src="http://c.services.spaces.live.com/CollectionWebService/c.gif?cid=4017445372636881526&amp;page=RSS%3a+Stage+Semio&amp;referrer=" width="1px" height="1px" border="0" alt=""&gt;&lt;img style="position:absolute" alt="" width="0px" height="0px" src="http://c.live.com/c.gif?NC=31263&amp;amp;NA=1149&amp;amp;PI=73329&amp;amp;RF=&amp;amp;DI=3919&amp;amp;PS=85545&amp;amp;TP=anatolant.spaces.live.com&amp;amp;GT1=anatolant"&gt;</description><comments>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!174.entry#comment</comments><guid isPermaLink="true">http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!174.entry</guid><pubDate>Mon, 16 Jul 2007 16:47:55 GMT</pubDate><slash:comments>0</slash:comments><msn:type>blogentry</msn:type><live:type>blogentry</live:type><live:typelabel>Blog entry</live:typelabel><wfw:commentRss>http://anatolant.spaces.live.com/blog/cns!37C0D547F48EE276!174/comments/feed.rss</wfw:commentRss><wfw:comment>http://anatolant.spaces.live.com/Blog/cns!37C0D547F48EE276!174.entry#comment</wfw:comment><dcterms:modified>2007-07-16T16:47:55Z</dcterms:modified></item></channel></rss>